| Videos (see all 9) |
| Karina Testa | ... | Yasmine | |
| Samuel Le Bihan | ... | Goetz | |
| Estelle Lefébure | ... | Gilberte | |
| Aurélien Wiik | ... | Alex | |
| David Saracino | ... | Tom | |
| Chems Dahmani | ... | Farid | |
| Maud Forget | ... | Eva | |
| Amélie Daure | ... | Klaudia | |
| Rosine Favey | ... | La vieille trachéo | |
| Adel Bencherif | ... | Sami | |
| Joël Lefrançois | ... | Hans | |
| Patrick Ligardes | ... | Karl | |
| Jean-Pierre Jorris | ... | Le Von Geisler | |
| Stéphane Jacquot | ... | Le policier | |
| Christine Culerier | ... | Infirmière urgences | |
| Hervé Berty | ... | Agent de sécurité hôpital | |
| Jean-Jérôme Bertolus | ... | le journaliste TV | |
| Antoine Coesens | ... | Le politicien | |
| Sandra Dorset | ... | La femme 'emballée' | |
| Henri-Pierre Plais | ... | Le enfant aveugles | |
| Maiko Vuillod | ... | Le enfant aveugles | |
| Patrick Vigne | ... | Le enfant aveugles | |
| rest of cast listed alphabetically: | |||
| Yannick Dahan | ... | (uncredited) | |
Directed by | |||
| Xavier Gens | |||
Writing credits(in alphabetical order) | ||
| Xavier Gens | writer | |
Original Music by | |||
| Jean-Pierre Taieb | |||
Cinematography by | |||
| Laurent Barès | |||
Film Editing by | |||
| Carlo Rizzo | |||
Casting by | |||
| Michael Laguens | |||
Production Design by | |||
| Jérémie Streliski | |||
Art Direction by | |||
| Olivier Afonso | |||
Set Decoration by | |||
| Alessandro Marvelli | |||
Costume Design by | |||
| Eléonore Dominguez | |||
Makeup Department | |||
| Nicolas Herlin | .... | special makeup effects artist | |
| Laetitia Hillion | .... | special makeup effects artist | |
Production Management | |||
| Raphaël Alexandre | .... | assistant unit manager | |
| Aryane Ariana | .... | production manager | |
| Aryanaz Aryana | .... | production manager | |
| Olivier Gravenhorst | .... | post-production supervisor | |
| Guillaume Hénon | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Aurelio Cardenas | .... | trainee assistant director | |
| Yann Cuinet | .... | first assistant director | |
| Rodolphe Guglielmi | .... | second unit director | |
| Bourdonnay Judikael | .... | first assistant director: second unit | |
| Marie Rolindes | .... | second assistant director | |
Art Department | |||
| Jonathan Delerue | .... | storyboard artist | |
| Lionel Dijoux | .... | construction coordinator | |
Sound Department | |||
| Jérôme Aghion | .... | sound | |
| Thomas Bernard | .... | sound recordist | |
| Christophe Bourreau | .... | foley artist | |
| Lohengrin Braconnier | .... | sound recordist | |
| Jean De Sagey | .... | sound re-recording mixer | |
| Loïc Gourbe | .... | sound recordist | |
| Alexandre Hecker | .... | dialogue editor | |
| Florent Lavallée | .... | sound re-recording mixer | |
| Jacques Sans | .... | sound | |
| Yann Vernier | .... | assistant foley artist | |
| Jean-Noël Yven | .... | sound | |
Special Effects by | |||
| Guillaume Castagné | .... | special effects makeup | |
| Nicolas Herlin | .... | special effects makeup | |
| Laetitia Hillion | .... | special effects makeup | |
| Frédéric Lainé | .... | special effects makeup | |
Visual Effects by | |||
| Hoffmann Alain | .... | digital effects artist | |
| Loic Flamand | .... | visual effects | |
| Jessica Guglielmi | .... | digital effects supervisor | |
| Rodolphe Guglielmi | .... | visual effects supervisor | |
| Bourdonnay Judikael | .... | visual effects supervisor | |
| Teddy Percherancier | .... | visual effects producer | |
Stunts | |||
| Frédéric Vallet | .... | stunts | |
Camera and Electrical Department | |||
| Mathieu De Montgrand | .... | second assistant camera | |
| Yoann de Montgrand | .... | camera trainee | |
| Pascale Marin | .... | first assistant camera | |
Editorial Department | |||
| Nicolas Economides | .... | assistant editor | |
| Jean-Yves Guéril | .... | first assistant editor | |
| Vincent Leyour | .... | assistant editor | |
Other crew | |||
| Shelley Marie Brown | .... | promotions | |
| Ludivine Doazan | .... | script supervisor | |
Thanks | |||
| Alexandre Aja | .... | sincere thanks | |
| Luc Besson | .... | sincere thanks | |
| Jan Kounen | .... | sincere thanks | |
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| Dèmoni | Hostel | Night of the Demon | The Devil's Rejects | Kite |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb France section | Add this title to MyMovies |
It's not often you need an overview of recent European history to fully enjoy a horror movie. But Frontier(s) is a special case. All the negative commentary I've read seems to come from the hype surrounding this film. Is Frontier(s) blood-soaked and violent? Sure is! Is it the bloodiest, most repulsively gory film ever? No. I also agree that the basic plot doesn't really venture too far off the path of Hostel, The Texas Chainsaw Massacre or Motel Hell for that matter. But what some people seem to be missing is socio-political climate of France in the last few years. Well, here's where a short French history lesson may come in handy. In October and November of 2005 there were a series of large-scale riots in France that stemmed from the death of two teenagers who lived in a low-income suburb of Paris. They were suspected of a break-in at a construction site and being chased by police. When they tried to hide in a power substation they were electrocuted. The civil unrest that broke out was fueled by unemployment, religious tensions, racial inequality and a growing fear of police harassment. A little over two years later more riots broke out when two more teenagers died after a police car collided with their stolen motorbike. These recent events give Frontier(s) a healthy dose of sub-text as well as a realistic backdrop for its extreme violence. Fear and intolerance are now right beside baguettes and berets as France's main cultural identity. The France seen in Frontier(s) isn't the glossed up version most of us have dreamily romanticized. There are no midnight walks on the Seine. No sipping of espresso at a sidewalk café with the Eiffel Tower in the distance. No scenic tours of the Louvre or the Arch de Triomphe. Writer/director Xavier Gens shows a modern day France that's dark, violent and in anarchy. This is the France that in 2004 banned the wearing of khimars (headscarves) by Muslim girls at school and in 2007 elected Nicolas Sarkozy a right-wing conservative as president. So it should be no surprise that Gens' choice of a Nazi family as the bad guys works as a not so subtle metaphor for the French Government. So, for what it's worth, anyone too myopic to know something about France's current environment probably just won't get what Gens is saying in this film.