| Hussi Kutlucan | ... | Dudie | |
| Wiebke Inn | ... | Nina | |
| Senta Moira | ... | Frau Dutschke | |
| Heinz-Werner Kraehkamp | ... | Chef | |
| rest of cast listed alphabetically: | |||
| Kurt Ackermann | |||
| Yekta Arman | |||
| Klaus Dahlen | |||
| Clement De Wrobelewsky | |||
| Ercan Durmaz | |||
| Özay Fecht | ... | Nani | |
| Jules Gund | ... | Leo | |
| Matthias Heise | ... | Hermann | |
| Moutlak Osman | |||
| Walter Pfeil | |||
| Katrin Pollitt | |||
| Ünal Silver | |||
| Augustine Thulah | ... | Cuffi | |
| Ramin Yazdani | ... | Hindu | |
Directed by | |||
| Hussi Kutlucan | |||
Writing credits(in alphabetical order) | ||
| Hussi Kutlucan | writer | |
Produced by | |||
| Ralph E. Cotta | .... | executive producer | |
| Claudia Tronnier | .... | executive producer | |
| Margarita Woskanjan | .... | producer | |
Cinematography by | |||
| Lars Barthel | |||
Film Editing by | |||
| Patricia Rommel | |||
| Catherine Steghens | |||
Costume Design by | |||
| Waltraud Mau | |||
Art Department | |||
| David Hoffmann | .... | property master | |
Sound Department | |||
| Oliver Grafe | .... | sound | |
| Gunther Kortwich | .... | sound transferer | |
| Susy Wehrli | .... | sound | |
Camera and Electrical Department | |||
| Andre Belitzki | .... | gaffer | |
| Ulrike Thiele | .... | assistant camera | |
| Tanja Trentmann | .... | assistant camera | |
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| Sommer in Mezra | Ernstes Wörtchen | Der wirklich letzte Junggeselle | Rumkugeln mit Völkerball | Sausages |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb Germany section | Add this title to MyMovies |
Technically, the film has plenty to sneer at, if that's what you like to focus on. But the story, even with it's own weaknesses, is engaging, with various twists and some quite moving and thought-provoking situations.
This wasn't a laugh-out-loud comedy for me, but there were some very funny situations and an overall adventurous spirit to the film that were quite rewarding.
The issues raised in the film are particularly pressing ones today - but as the film itself portrays, there will be some who simply would not be interested in dealing with such issues, or such people. But the film is so accessible, that for everyone else, there are plenty of touching or funny moments. It would be a pity to miss the opportunity of reflecting on the deeper messages and issues by focusing on the superficial imperfections of the film, which in some ways, actually add to the overall atmosphere of the film. They reflect the sense of doing the best with what you can muster.
The end product, I believe, is certainly worth watching. Actually, with the rather abrupt ending, it would be fascinating to see a sequel...