I Just Want to Kiss You (1998)

Director:

Jamie Thraves

Writer:

Jamie Thraves (writer)

Genre:

Short

Awards:

1 win

Cast

Martin Freeman	...	Frank
Harry Peacock	...	Danny
Lexi Strauss	...	Katherine
Lee Blakemore	...	Alice
Nigel Cooke	...	Ted

Directed by
Jamie Thraves

Writing credits (in alphabetical order)
Jamie Thraves		writer

Produced by
Sally Llewellyn	....	producer

Cinematography by
Tat Radcliffe		(as Anthony Radcliffe)

Film Editing by
Rod Edge

Casting by
Amanda Tabak

Art Direction by
Kam-Lan Man

Makeup Department
Julie Biddle	....	makeup artist
Kate McCullock	....	assistant makeup artist

Production Management
Nicole Keddie	....	production manager

Art Department
Nic Stubbings	....	stand-by props

Sound Department
Sam Diamond	....	sound recordist

Camera and Electrical Department
Jon Mitchell	....	clapper loader

Costume and Wardrobe Department
Bo Chapman	....	costumer
Georgina Fagelson	....	costume assistant

Other crew
Ed Suter	....	location manager

Distributors

• Der KurzFilmVerleih (Austria)
• Der KurzFilmVerleih (Germany)
• Der KurzFilmVerleih (Switzerland)

Runtime:

Germany:11 min

Country:

UK

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

An enjoyable new-wave homage and character piece that really could have done both (or either) a bit better

A twenty-something man is having a shave while his best friend hands around the house. The man is a bit of a clown and enjoys joking around and not taking anything too seriously. With some money in their pocket, the two go out to the cinema and then for a quick drink. They meet a couple of girls in the pub and both men hit it off reasonably well with them until, that is, the man's rather worse for wear father joins them.

With the whole film being a very clear reference to films within the French new wave I thought that this was going to be much more directed around that, perhaps in the way that the similar UK short Je t'aime John Wayne had done to pretty humorous effect. However this aspect never got to be more than just a backdrop – the fact that it resembled such films never became the all, which I suppose is a good thing in a way. For the majority of the film it is an interesting character piece that looks at the young man in question and allows us to see the thing in his life that has made him perhaps hide behind the constant joking. To me this was of interest but sadly I didn't think it did that as well as it could as it felt constrained a bit by the new wave touches and the audience was required to do a lot of interpretation rather than the script being used to bring it out.

Freeman is quite good but I couldn't help get the feeling that he has played this same character more than once, albeit slight variations along the way. He is effective although I wish he had been given more chance to bring out the side of his character that I got the impression he was burying at the same time. Peacock plays the character that fits in much better with the new wave feel but the downside is that he is less of a person – not that it really matters that much. Cooke's father is well played so that we don't dislike him to the point where that is our overriding emotion – we do dislike him but we are invited to care for the son more.

Overall this is a good film but I couldn't shake the feeling that the two elements (character and genre) got in each others way a little bit and, although both worked well enough to make for an enjoyable short film, I felt that they could have done better with either of them – preferably the character element.