| John Cassavetes | ... | Cody | |
| Beverly Adams | ... | Lynn | |
| Mimsy Farmer | ... | Marianne | |
| Maurice McEndree | ... | Joel-the-Mole | |
| Leo Gordon | ... | Sheriff Henderson | |
| Russ Bender | ... | Royce | |
| Marc Cavell | ... | Billy-the-Kid | |
| Buck Taylor | ... | Gage | |
| Marianne Kanter | ... | Rena | |
| Kipp Whitman | ... | Roy | |
| Mitzi Hoag | ... | Karen | |
| Nai Bonet | ... | Tanya | |
| Buck Kartalian | ... | Funky | |
| George Sims | ... | Leroy | |
| Salli Sachse | ... | Louise | |
| Wally Campo | ... | Grog | |
| Richard Anders | ... | Bruno | |
| John Craig | ... | Robot | |
| Paul Myer | ... | Mayor | |
| Lee Wainer | ... | Cane | |
| Roy Thiel | ... | Deputy | |
| Ronnie Dayton | ... | Deputy | |
| Henry Kendrick | ... | Store Owner | |
| rest of cast listed alphabetically: | |||
| Thomas Gark | ... | Leader of the Skulls biker gang. (uncredited) | |
| Don Obarr | ... | Biker (uncredited) | |
Directed by | |||
| Daniel Haller | |||
Writing credits(in alphabetical order) | ||
| Charles B. Griffith | story (as Charles Griffith) | |
Produced by | |||
| Samuel Z. Arkoff | .... | executive producer | |
| Jack W. Cash | .... | associate producer (as Jack Cash) | |
| Roger Corman | .... | producer | |
| James H. Nicholson | .... | executive producer | |
| Burt Topper | .... | producer | |
Original Music by | |||
| Mike Curb | |||
Cinematography by | |||
| Richard Moore | |||
Film Editing by | |||
| Kenneth G. Crane | |||
| Ronald Sinclair | |||
Costume Design by | |||
| Richard Bruno | |||
Makeup Department | |||
| Ray Forman | .... | hair stylist | |
| Jack Obringer | .... | makeup artist | |
Production Management | |||
| Jack Bohrer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dale Hutchinson | .... | assistant director | |
Art Department | |||
| Karl Brainard | .... | property master | |
| Leon Ericksen | .... | stage set designer (as Leon Erickson) | |
| Ross Hahn | .... | construction coordinator | |
| Richard M. Rubin | .... | property master | |
Sound Department | |||
| Philip Mitchell | .... | sound mixer (as Phil Mitchell) | |
Stunts | |||
| Ronnie Dayton | .... | stunts (uncredited) | |
| Gary Littlejohn | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Lloyd Garnell | .... | gaffer | |
| Charles Hannawalt | .... | key grip (as Chuck Hannawalt) | |
Music Department | |||
| Al Simms | .... | music supervisor | |
| Davie Allan | .... | composer: additional music (uncredited) | |
Other crew | |||
| Bonnie Prendergast | .... | script supervisor | |
| Lynn A. Aber | .... | script supervisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
This is not a great movie, and it never was. But today, the period foolishness in telling the story of poor, misunderstood counterculture bikers is a hoot! The bikers flaunt their bad-boys image and behavior, but then bemoan the harsh treatment they get from the "citizens" they despise. They--and this film--want it both ways. If this was a new film, I would be more critical of it, but as it is, it's a wonderful time capsule of '60s film-making and ideology. The acting and dialog continually swing from wooden and contrived to endearing and dramatically believable. Cassavetes was truly a talented actor, and this otherwise low-grade movie proves it. I am much more fond his gang leader character than the script or production warrant.